The latest album from the veteran Norwegian avant-garde metal band In The Woods… is Otra. We caught up with guitarist Kåre André Sletteberg, who fills us in on the record, his other projects and other topics.
Chad Bowar: How did the songwriting process for Otra compare to your last few albums?
Kåre André Sletteberg: All in all it was very different. We worked together as a unit for this one, acting like a band in the recording phase for once. Well, we did that on Diversum as well, but before that, we had a singer/songwriter who was more interested in royalties, rather than the process of writing and making a diverse album. We had a great time doing this one, because we all worked together. We discussed a lot and everyone had a input on the outcome.
What will be your strongest memory of the recording of the album?
There are many, but the ones that sticks out are the memories you create when you add something that really makes a song great. It can take a song from being far away to being ready in the matter of just a few tones or even beats. Use a ride instead of a hi-hat, do this chord instead of that, etc.. These things really make a difference and when it is done correctly it makes great memories.
What was the biggest challenge in its creation?
It’s always difficult to decide what songs goes on the album. Especially for this, because we had over 70 minutes of material. So we ended up doing a special edition (available in the webshop of the label). But picking out the 7 songs was hard. We ended up doing it democratically, with votes, and some may have disagreed, but we all agree that the album turned out as strong as it could have.
How has your sound evolved from Diversum?
There are more influences on this album, more artistic freedom. We trust each other 100 percent that we will do what the song need, not what we feel it need. On other things, we have, at least I feel, taken back a sound that is inspired by the three first albums for sure. There are elements of black metal, beautiful melodies and long monsters of progressive songs, like “Omnio” for example. But as it is with ITW, the story never ends, so we always try to broaden our sights, try something different. For example, the first single is a result of that. We got lots of hate, but many many happy listeners as well. Somehow people seem to forget what ITW was all about in the beginning.
What inspired the album’s lyrical concept about the Otra River?
Life. It’s a journey through all aspects of life. Love, hate, greed, lust…, but for us it is important to not plant those ideas in the head of the listener. We feel its important to make sure that the listener get his/her own connection. Tie the lyrics to a personal memory, positive or negative, and we have done our job. Everyone has different experiences listening, and that’s the way music should be.
How was the video shoot for “A Misrepresentation Of I”?
It was two long days, at least for Bernt Fjellestad and myself. It was a fun experience working together with experienced video makers. I learned a lot myself about film that I never would have hadn’t it been for that. There are the parts of the band playing on an island here in Kristiansand, and then there is the “action” part that takes place in an old factory a few kilometers outside town.
Do you enjoy filming videos, or are they a necessary evil for promotion?
No, we are not a very video friendly band. But in these days it is something you need to do. The music business is so different that it’s hard to keep up with the bands running away if you do not step out of your comfort zone. So you could say it is a necessary evil for sure.
The album will also be available on vinyl. Are you a collector?
Yes. I started only a few years ago. But I have some good records in my collection. It’s growing fast, so I’m always looking out for vinyls when we are on tour or I’m just out and about.
You have an April European tour with Saor. What else is on your calendar for 2025?
We are doing a couple of festivals. We are playing at Wacken and a couple more festivals before the end of the year. After that I’m not sure what’s next…
How did you come to join the Mexican band Nocturnal Call a few years ago?
Hector Montero played drums and keyboards for me on Kas (my solo project), and it just felt natural for me to help them out when they asked. It was not in my plans to become a recording member of that band, but it’s cool. I was able to hang out with them when we were in Mexico in 2023. Great guys and friends for life. (Hector and Cesar).
Are there plans for a second Kas record?
100 percent, but it takes time. I have a single that’s been ready for two years, but still not released unfortunately. I hope to be able to do it in 2026 if time’s on my side. I don’t stress to much about it, but its cool that it’s not completely forgotten!
What are some of your non-musical interests and hobbies?
I’m a huge history fan, have a degree in new-history, so that’s always something I spend time doing, reading or watching. Other than that I spend my time with my close ones doing different things that makes me happy!
(interview published April 10, 2025)
Watch In The Woods… – “Misrepresentation Of I” Video
