The Italian power metal group Aletheya step into this week’s Meet The Band spotlight. Their full-length debut is Chance To Reborn. Vocalist Gianni Carcione introduces us to his band.
Chad Bowar: Give us a brief history of Aletheya.
Gianni Carcione: Aletheya was born from the meeting of musicians with different backgrounds and experiences, but with the same vision: to live and breathe metal with authenticity, passion, and respect for its history, while always looking ahead. We wanted to create something personal, where technique, melody, power, and artistic sensitivity could all live together. *Chance To Reborn* is the first chapter of this journey and, above all, our way of saying who we are.
What’s the meaning of the band name?
Aletheya refers to the idea of truth and knowledge, not as something fixed, but as an awareness that comes through wisdom. And for us, wisdom is inevitably connected to the passing of time, the experiences we go through, and the awareness of who we were and who we are today. So, in a way, the name represents a human journey even before it represents a musical one.
Describe the songwriting process for Chance To Reborn.
Francesco, our guitarist, always says: *“If a riff keeps going around in your head, it’s time to pick up the guitar and play it. Then you start playing, and the rest just comes naturally.”* And that’s pretty much how our music often comes to life. From that first spark, I try to get everything I can out of it, according to my abilities and whatever the riff suggests to me. At some point, you’re no longer simply following the riff, and the riff isn’t dragging you along either. Something more natural happens — a real connection, almost like a dialogue between you and the music. That’s where, in my opinion, something truly authentic is born.
What will be your strongest memory of the recording of the album?
Definitely Francesco’s reaction when, in less than two hours, we managed to finish the entire *Chasing The Sun* section, including the solo and the vocal line for the chorus. It was a really natural moment, with a lot of laughter but also plenty of concentration. That spontaneity is probably what I remember most.
What was the biggest challenge in its creation?
The biggest challenge was working while living in two different cities and trying to build a sound remotely that could really represent who we are. We wanted to keep all the elements of power metal that we love — the technique, the virtuosity, and those neoclassical and classical influences from the ’90s — but without simply making something nostalgic or retro. We wanted to find the right balance with a modern, powerful production. A big part of achieving that was thanks to Stefano Morabito and 16th Cellar Studio, who really managed to give the album the sonic dimension we were looking for.
How would you characterize its style/sound?
I would say it’s a fresh sound, built around power and technical precision, with a lot of attention to detail. But technique has never been an end in itself for us. It has to serve the melody.
Melody is the heart of what we do. It’s the way we try to give shape to the ideas and emotions we have in our heads. And honestly, that’s what excited us from the very first time we listened back to the songs.
What lyrical topics do you cover?
We deal with social and human issues, but we always try to keep a message of hope and rebirth at the heart of what we do, even when we are talking about the hardest moments. There’s also something else that is extremely important to us: our love for metal, almost as a form of faith and belonging. We also touch on some very particular and delicate subjects, such as femicide and erotomania, and we try to approach them with the depth and sensitivity they deserve.
How was the video shoot for “Chasing The Sun”?
I can sum it up in two words: very, very hot! But despite the heat, we had an absolute blast. We were probably still riding the adrenaline from the live show we had played just a few days earlier, and that energy definitely carried over into the video shoot. It was a long and tiring day, but a really great one.
How did you come to sign with Rockshot Records?
We were looking for a label with an established history and a recognizable level of quality, but above all, one that could give the right kind of visibility to a band making its recording debut, while also being made up of musicians who already had plenty of individual experience. When the opportunity came up, we didn’t think twice. We’re really happy with the choice, and we believe it’s a great way to start this journey.
What are your goals and expectations for the album?
More than having specific expectations, what really matters to us is getting our message across. Chance To Reborn was born out of genuine love and a real act of faith in metal. We want that feeling to reach the audience and go beyond the individual songs. Because what we’re telling people isn’t just about music — it’s a part of who we are.
What has been your most memorable Aletheya live show?
Without a doubt, our very first Aletheya show. I had been away from the scene for more than twenty years, so stepping back on stage and playing in front of an audience again after all that time was incredibly special. The show went really well, but what I’ll never forget is the emotion of that moment — and, even more importantly, seeing the emotions of my bandmates. I especially remember Francesco, my brother, being so happy for me that he was almost in tears. That’s a memory I’ll always carry with me.
What are your upcoming show/tour plans?
We’re working on bringing Aletheya abroad as well, but at the moment we don’t have any confirmed dates to announce yet. Here in Italy, our release party will take place on December 5th at Teatro Bolivar in Naples. It’s a prestigious venue, and we’re particularly honored to have the chance to present the album there in its entirety. Then, on January 9th, 2027, we’ll have the great pleasure and honor of opening the Fabio Lione & Friends show at Defrag in Rome.
What are some of your non-musical interests and hobbies?
To be honest, music still takes up a huge part of my life. I’m deeply passionate about metal and, jokingly — but not entirely joking — I could almost call myself a priest of metal! More than anything, I consider myself a musical researcher. Listening to, discovering, and exploring new music is an essential part of who I am. Outside music, one of my biggest passions is football. I also enjoy cinema and, more generally, history — both ancient history and contemporary history.
What’s currently in your musical heavy rotation?
That would be a very, very long answer! I can say that I have a deep love for classic metal, but power metal remains at the very heart of my musical life and, naturally, a huge part of what I listen to.
Anything else you’d like to mention or promote?
I think the most important thing to say is that our project comes from a real and deeply rooted bond of friendship and brotherhood between all of us. That’s what keeps us together, beyond the music. In the end, our songs are simply a reflection of our souls. We’re very close, and we know that maybe this kind of bond can even be difficult for some people to understand. But we have absolutely no interest in hiding it. We want the world to know how close we are, how much we care about each other, and how strongly we believe in what we’re building together.
(interview published September 19, 2026)
Watch Aletheya – “Chasing The Sun” Video
